It's unbelievable to me that until a month ago, I hadn't listened to any Dungen beyond "Satt Att Se" from their last album, 4. Sure, Robin Pecknold of Fleet Foxes had the album cover of Ta Det Lugnt up as his profile picture when he was still on Twitter. But, I guess I missed all his tweets about the awesomeness that is Dungen. Thankfully, through cosmic intervention, Dungen's 4 found its way into my possession, and I decided to grab tickets to their show at The Bell House.
Mind-numbing lineups like Fleet Foxes/Dungen or the one for the Kemado/Mexican Summer Festival (though I could do without metal band Saviours) were unfortunately not in the cards for NYC, but the Dungen show at The Bell House had a power combination of its own with Brooklyn favorites Woods and Ducktails. Set times were pushed back, most likely so that Animal Collective attendees could walk a few avenues over after the show and enjoy Dungen at a discounted ticket price. Props to those who did that. I think I'm getting too old to do double features like that anymore, especially with the summer heat.
By the time Dungen hit the stage, the venue seemed comfortably packed, at least from where I was standing. Dungen treated the audience to over an hour and a half of incredible music. Maybe it's because I can't understand their Swedish lyrics, but I found myself paying more attention to the musical components and how they fit together like a puzzle to create shape and texture. In fact, Dungen's music is like a perfect banh mi sandwich. Both are made of essential ingredients, ones that are pretty good on their own. Every element is crucial to the equation. Like there are no filler parts in a banh mi sandwich, every note of a Dungen song, regardless of instrument, is deliberate and necessary. I have yet to find a perfect banh mi sandwich, one with such a construction that allows for each bite to have the ultimate balance of all parts as pictured here (Banh mi eaters, you should know what I'm talking about). But, I'm convinced that Dungen would be the auditory equivalent. Even without a violinist, Dungen played "Satt Att Se" so beautifully that I could hardly believe that I was witnessing it. The way the vocals fit in with the instrumentals, veering from minor to major keys and back to minor, it almost seemed like a musical pun. And, nothing excites me more than brilliant song compositions.
Although the guitarist was near collapse, Dungen came out for an encore. The entire band was very gracious to their audience, and frontman Gustav gave an extended shoutout to the folks at Kemado Records, Dungen's U.S. label who also produces a beautiful vinyl press of 4. Unfortunately, they didn't have any of those at the merch table.
Dungen is currently on tour in North America. Click here for dates. Be sure to pick up the tour-only limited edition 12" of the 15-minute version of "Samtidigt."
Ducktails
Jeremy of Woods
Dungen
Det Tar Tid - Dungen
Satt Att Se - Dungen
August 17, 2009
Dungen - The Bell House 08.14.09
August 6, 2009
Foreign Born - The Bell House 08.03.09
Post-All Points West Friday, I felt like all my energy and enthusiasm for live music were drained out of me. I don't know how you 3-day ticket holders did it. I missed a whole bunch of awesome weekend happenings like No Deachunter and M Ward, and I almost bailed on going to see Foreign Born at The Bell House. Thankfully, Hippies Are Dead reminded me of how much they enjoyed seeing Foreign Born at The Independent, so I got my act together and started walking to the venue.
This show was the last one of the nearly month-long North American tour of Foreign Born and The Veils. Spirits were high, and the band was downing shots at the beginning of their set. Although the audience at the Bell House was sparse after The Veils, Foreign Born seemed to enjoy themselves so much that I couldn't help but smile. I guess APW didn't squash the love of live music out of me. In an earlier post, I shared the highly repeatable "Early Warnings." Truth be told, Person to Person is full of little lines that find a way to bury themselves into your memory. The catchiness of the album became more obvious to me during the Foreign Born set, with each song having an addicting guitar riff. Some of you would disagree with me, but I really believe that the upper-range guitar lines are the isolating factor for why Foreign Born leaves an impression on listeners while sounding pleasant to the ears. Now, if we could only get them to abandon their seizure-inducing stage lights, maybe I would be able to pay more attention to what's happening onstage.
Also posted below is a saccharine summer song called "Surprise Hotel" by Fool's Gold. Fool's Gold includes two members of Foreign Born, as well as former members of We Are Scientists, The Fall, and Glasser. Micachu & The Shapes recently remixed the song, also below.
Early Warnings - Foreign Born
Surprise Hotel - Fool's Gold
Surprise Hotel (Micachu & The Shapes Remix) - Fool's Gold (via RCRD LBL)
March 16, 2009
The Pains of Being Pure at Heart - The Bell House 03.13.09
It took me awhile to correctly remember this band's name, so I surprised myself when I jumped on The Pains of Being Pure at Heart wagon last month. I didn't think that TPOBPAH was particularly amazing at first listen, but it turns out that they're more infectious than the This is Why You're Fat meme and way less gag-inducing.
For whatever reason, I really love starting and ending my weekend nights with TPOBPAH. I must be quite a sight, jamming on the street while walking home in the early hours of the morning, but I can't really stop myself. So, it only seemed appropriate that I kick off a weekend with a Pains show at one of my favorite venues, the Bell House. Riding the Pitchfork BNM wave, TPOBPAH packed the room with eager spectators, myself included. I expected a dancing-good time, and Pains absolutely delivered. Seriously, I don't understand how anyone could not have had fun at this show. Sure, the band wasn't always perfect on the technicals, but they make up for the lack of precision with irresistible songs like "The Tenure Itch" and "Everything With You." I really hadn't been giving TPOBPAH enough creative credit. Yes, some of their songs sound a little indistinguishable, but that's sort of the nature of their genre. After listening to the opening acts, I could see that shoegaze/dream pop is not as easy to execute as Pains make it sound. I only wish they had more songs because 30 minutes of TPOBPAH is not enough.
Like I said before, I can imagine listening to TPOBPAH during the middle of the day at an outdoors festival. Looks like we will be doing just that at Pitchfork Music Festival this July. And the July countdown begins...
The Tenure Itch - The Pains of Being Pure at Heart | Alternative Link
Everything With You - The Pains of Being Pure at Heart | Alternative Link
October 6, 2008
Department of Eagles - The Bell House 10.06.08
via iamtheeric
Beautiful. I had a stupid grin on my face the entire time. Department of Eagles had their record release show tonight at The Bell House, and I was lucky to get a ticket at the last minute (Thanks, Jason!). As you may know, DOE is another project of Grizzly Bear's Daniel Rossen. Along with Dan is his NYU roommate, Fred Nicolaus. Chris Bear and Chris Taylor, both from Grizzly Bear, also contributed to the new DOE album, In Ear Park. Despite all the Grizzly presence, DOE is not Grizzly Bear, minus Ed Droste, plus Fred Nicolaus. Well, musically speaking, anyway. To me, DOE's music has a very romantic, nostalgic quality. While listening to their music, I usually picture an old reel of my childhood. My idealized childhood, that is.
The night opened with Nat Baldwin, an experimental double bass artist from Maine. After his bit, he came back on with DOE as the bassist (Where was Chris Taylor? I didn't see him at all). As expected, Department of Eagles played plenty of material from In Ear Park, including "No One Does It Like You," which they said was their only "pop song." My personal favorite was "Sailing by Night," the first Department of Eagles song I had ever heard. While this was a release show for the new album, DOE whipped out a few pleasant surprises. They played the non-album "1997," which debuted on Stereogum last week. There were two new untitled songs, one of which was dedicated to Ed Droste. Still, the best dedicated song was Dan Rossen's cover of "Too Little, Too Late (JoJo)," the song that he recorded for Ed's birthday last year. It's too bad Dan didn't play "Deep Blue Sea," even though it was requested by the audience. Apparently, it's not something he does, despite that he had done it on a Takeaway Show, as someone pointed out.
By the way, I can't believe Dan Rossen is originally from LA? Says Wikipedia. He certainly has an accent, and I would have guessed Canadian or something. He's certainly not Southern, although the members of Grizzly Bear call him "Jimmy John" whenever he plays his banjo or does anything else that's remotely Southern. Reminds me of Jimmy John's Gourmet Sandwiches back home.
In Ear Park is now available for purchase. Department of Eagles will perform again tomorrow for the Revenge of the Bookeaters Benefit.
No One Does It Like You - Department of Eagles
Floating on the Lehigh - Department of Eagles
Sailing by Night - Department of Eagles
