The Silent Barn: Kurt Vile // Peeping Tom from Ray Concepcioñ on Vimeo.
Oh, Kurt Vile. If you read Look at me, I made a blog, follow me on Twitter, or have interacted with me in real life, then it's no surprise to you that I went to his show at Mercury Lounge. Even he knows I'm a big fan. I'd only seen Kurt play with the Violators at showcases like the Northside Festival and Woodsist Festival, so this was the first time I'd seen him as a headliner.
Although I thought it wouldn't, the show did indeed sell out. I even heard that one desperate fan sneaked in through the backdoor. During the break before KV and the Violators went onstage, the house DJ appropriately spun Sonic Youth, fellow Matador labelmates. When I peeked at the setlist on the floor, I was ecstatic to see some solo numbers. Kurt opened the night with two solos that haven't appeared on any record, to my knowledge. I recognized "Peeping Tomboy" from one of the Ray Concepcion videos from Kurt Vile's last Silent Barn show, which I've posted below. If I had any doubt that Kurt Vile has any more good material left in him after this new album, "Peeping Tomboy" puts my worries to rest. It's true that Kurt has released three records in the last year and a half or so, and that material spans 2000 to the present day. But, it seems like there some more songs left in him.
With the October 6th release of Childish Prodigy, it was no surprise that Kurt Vile and the Violators mostly performed songs from that album. The epic "Freak Train" is a personal favorite of mine, both live and on the record, and I would have gladly listened to an extended version of the song. Although the new album was the focus of the show, he performed a couple of songs off Constant Hitmaker, and they were given the Violators treatment. While purists would complain about the transformation of "Don't Get Cute" from a soft bedroom recording into an electric rocker, I have to say that it sounded pretty damn good. Of course, KV and the Violators tackled "Freeway," the song that Kurt once referred to as their Billboard chart hit, "right above 'Like a Rolling Stone.'" By far, the live version of "Freeway" is my favorite, mostly due to J Turbo's added harmonica part. My only complaint is that as the night went on, Kurt's vocals were drowned out by the three guitars onstage. I'm not sure if that was due to where I was standing, but I could always use more of Kurt's speak-sing.
No "My Sympathy" this night, but Kurt said he would definitely play it at his next NYC show. I hope he also plays other favorites like "Blackberry Song" and "Amplifier," both from Childish Prodigy. I guess we will just have to wait and see.
Childish Prodigy is out now. Buy it here. There were also copies of God Is Saying This To You... at the show, but they sold out pretty quickly.
Classic Kurt Vile pose
J Turbo, man of many talents
The planned setlist. Actual is below
Setlist
Come On It (solo)
Peeping Tomboy (solo)
Don't Get Cute
Freak Train
Monkey
Hunchback
Inside Lookin' Out (aka "Kraut")
Overnite Religion
Freeway
He's Alright (w/ J Turbo)
Freak Train - Kurt Vile
Everyone is Talkin' - Kurt Vile (An oldie from the Accidents EP)
October 8, 2009
Kurt Vile - Mercury Lounge 10.07.09
September 28, 2009
Makeout Videotape - Mercury Lounge 09.27.09
Can't get enough of glorious lo-fi garage pop? Sick of all the fuzz? Regardless of what camp you're in, I strongly urge you to listen to Makeout Videotape right now. During my search for awesome new bands to cover for Standing Room/Standing Around, I saw that Makeout Videotape had been touring with Japandroids, my favorite act from Pitchfork Music Festival '09. One play of "I Guess The Lord Is In New York" on their MySpace was all it took for me to be hooked. It should be a crime to write songs that are this catchy. I've definitely caught myself singing some Makeout Videotape while walking around, and no one should be subjected to my singing.
Like Japandroids, Makeout Videotape is a two-piece hailing from Vancouver, and they're apparently signed onto the same Canadian label. According to BeatRoute Magazine, singer and guitarist Mac DeMarco recently finished high school, and I would assume that it's the same case for drummer Alex Calder. But, don't expect Makeout Videotape to sound like a typical high school garage band. If anything, Makeout Videotape only show their age through their genuinely easy-going nature, which I find to be a captivating characteristic for any band.
Most (if not all) of Makeout Videotape's infectious songs clock in under three minutes, so they got through quite a bit of material during their set, including a "cover" of Nirvana's "Come As You Are." Mac confessed that he didn't know all the words to the song, and sure enough he had to scat sing most of it. But, the crowd loved it anyway because he did a killer impression of Kurt Cobain. They promised to actually learn that one for the next time they're in NYC. Someone book this band so that they're back soon!
For now, Makeout Videotape has Heat Wave! EPs for sale on CD-R, and Mac was really nice to hook me up with one. I'm sharing some of those tracks with you, so enjoy! Live tracks from this show coming soon on Standing Room/Standing Around. Also, look out for Makeout Videotape's forthcoming 7". You'll have to go to a Makeout Videotape show yourself to find out why Japandroids called them the most eligible bachelors currently in New York City.
I Guess The Lord Is In New York - Makeout Videotape
Heat Wave - Makeout Videotape
Slush Puppy Love - Makeout Videotape
March 7, 2009
Handsome Furs - Mercury Lounge 03.06.09
via Modage's Flickr
A remedy for any case of the blues, Handsome Furs' forthcoming Face Control is an album that I've cranked up while walking around the city, especially very late at night. With his wife Alexei Perry, Dan Boeckner (of Wolf Parade) has created an irresistibly fun dance-rock album. I was pretty bummed about being thirty minutes too late in buying tickets to the sold-out show, but I managed to grab a pair via the miracle that is Mercury Lounge's Twitter. I'm so addicted to Twitter, for all the right reasons.
Sometimes after a long week, all you want to do on a Friday night is grab a few drinks and let your body move to the grooves. After standing through two opening acts, surprisingly good/appropriate (The Hundred in the Hands) and not-so-much (Iran sans Kyp Malone), Handsome Furs finally took the stage to start a much-needed dance party. For whatever reason, I had expected some sort of elaborate stage set-up with lots of gear. Because they really pack the punch on record, I just assumed that they performed with traveling back-up members. Instead, Handsome Furs is truly a duo both on and offstage. It was just Dan with his guitar and Alexei on synth/drum machine, and that was all I needed to hear.
Unsurprisingly, with the release of Face Control in just a few days, Handsome Furs played most of their new record, which four lucky winners of an impromptu trivia challenge received last night. Not only was the music perfect for dancing, the shoe-less Alexei was so energetic and fun to watch. I may have a new idol (Sorry, Karen O). And how does Dan make the guitar look so easy to play? Seriously, he makes it look completely effortless.
Although I've been living in New York for nearly five years now, I can never get over how much the crowd can suck sometimes. While I was dancing and having a good time, not many people within my (limited) range of vision were moving more than just their heads. Tragic, since the Handsome Furs show was one of the most fun ones I've been to in awhile. They definitely deserve a warm reception.
Face Control is officially available on March 10. Pre-order via Sub Pop here. It's great for personal dancing in your underwear...not that I would know.
Talking Hotel Arbat Blues - Handsome Furs | Alternative Link
All We Want, Baby, Is Everything - Handsome Furs | Alternative Link
November 14, 2008
Little Joy - Mercury Lounge 11.13.08
There's been quite a bit of Little Joy coverage on here, especially since I put up a post on "Next Time Around" a few days ago. Like I said before, I don't think that Little Joy's music is mind-blowing in any way except that it simply puts me in a good mood. After hesitating to buy tickets to the Mercury Lounge show last week, I decided that I could use a bit of feel-good live music in my life. Thanks to Craigslist (and Noah), I managed to get a pair of tickets to the Mercury Lounge show at the last minute.
As this was their first show in New York, Little Joy was visibly nervous. Although they've been professional musicians for years, I guess a small venue in the Lower East Side can still refreshingly phase them. Fabrizio and Rodrigo both managed to knock over their beers within the first ten minutes of the show. As much as their past musical reputation has been used as a marketing tool for Little Joy, it was endearing that they didn't expect to ride on the Los Hermanos/the Strokes wave alone.
For the most part, I really enjoyed being at the Little Joy show and listening to the songs that have put a smile on my face the past few mornings. Musically, my only complaint was that Binki Shapiro's mic was turned down too low. She really has a fabulous voice, but I could barely hear her, even during her solos. Maybe it was because I was standing right in front of Fabrizio? Either way, it was such a shame that I couldn't hear her during her brief part in "Next Time Around." Also, I hadn't been to Mercury Lounge in about 8 months, and I'd forgotten how loud their system can be. My ears are still ringing from last night, and that makes me feel old.
So, I've been reading in other places that Albert Hammond, Jr was indeed at the show, along with Aggy. This leads me to conclude that, yes, the tall obnoxious photographer that was standing behind me was indeed Albert Hammond, Jr. The one who hit my head and shoulder multiple times with his lens. Yes, I may have snapped on him, but I don't think he heard me, unfortunately.
Check out my past post for more songs.
Setlist
Evaporar
Unattainable
Play the Part
Shoulder to Shoulder
Brand New Start
Next Time Around
Happiness
With Strangers
Don't Watch Me Dancing
How to Hang a Warhol
No One's Better Sake
New Song
Keep Me In Mind
Evaporar - Little Joy
Someone please put up the guitar tabs for this one
Brand New Start - Little Joy
With Strangers - Little Joy
April 7, 2008
No Kids
You've got the Cool Kids, Black Kids, Kid Sister, Cold War Kids, and now...No Kids. I saw No Kids open for the Dodos at Mercury Lounge on April 6th, and there was something about their music that made an impression on me. I kinda dig the minimalist R&B feel of their songs; the "less is more" concept is lost on many bands nowadays. From Vancouver, No Kids are a trio that is so indie that they don't even have a Wikipedia entry (But, there is one on P:ano, a past project of the members). Yes, they are really awkward on-stage, but it's all endearing. Nick Krgovich plays everything with intensity, especially when he's striking the triangle.
You can purchase Come Into My House here at Insound.com. No Kids are currently on tour with Dirty Projectors.
Give them a listen!
For Halloween - No Kids
The Beaches All Closed - No Kids
Bluster in the Air - No Kids
The Dodos - Mercury Lounge 04.06.08
The Gothamist borrowed this photo. I'm quite flattered since I am not a photographer, and the LCD screen on my camera is broken. Someone at the show looked at the screen and laughed at me.
Trombone intro to "Fools."
Aside from Fleet Foxes, the Dodos are my favorite discovery of 2008. Last night's show at the Mercury Lounge was sold out and the venue was completely packed. AND, it was a Sunday night. I bought my tickets nice and early, because I suspected this show would eventually sell out. The post-SXSW hype surrounding the Dodos is exponentially growing. Also, I suspected that Pitchfork followers would be drawn to the show since Visiter had been listed as Best New Music. So, no surprise that Pitchfork was there last night. Again, I don't really agree with Pitchfork on a lot of things. But, they're sorta right about the Dodos in that they are awesome.
If I could describe the Dodos show in one word, it would "sweat." There was sweat everywhere. Sweat on Meric Long's guitar from his right strumming arm, sweat soaking Logan Kroeber's shirt, sweat dripping down my own face from dancing in close proximity to a lot of people. If you listen to the Dodos' music, it's not hard to see why performing is like an intense cardio workout for these guys. For one, as I mentioned before, Logan does not have a kick drum. Every single drum is on a stand. Watching him play was so jaw-dropping, because it was very apparent how hard it was to play the rhythms that he was pounding out. Even more incredible, his energy did not drop once throughout the entire show. On guitar, Meric Long was also playing fast patterns (Check out "Chickens"), along with some looping. He used three acoustic guitars, no picks. Halfway through the show, I started concentrating on his playing when I noticed that he had very long, acrylic nails on his right hand. I don't think I've ever seen that before, but I can see why they'd be useful for finger picking and strumming. After the show, I went to go shake his hand, but he didn't offer his right hand. Instead, he just awkwardly slapped me a high-five with his left hand. Maybe he sensed that I was going to ask about his nails. Right you were, Meric.
Check out his nails. Acrylic, no? FRICTION agrees.
The Dodos' high-energy show went by quickly, with little to no transition in between songs. I feel like the set was a decent length, at least 10-12 songs. But, they didn't play "Winter," which is one of my favorites. In general, they didn't showcase many slower songs, such as "Park Song" and "Winter." These songs would have balanced out the show a little more, adding some variety to the high-energy set. But, hey, maybe the Dodos enjoy sweating it all out. And, let me tell you, their perfermance was impressive as hell. The way that they were squeezing in the rapid notes and beats reminded me of Charlie Parker's famous improvisations (FYI, Charlie Parker was one of the first so-called hipsters). Meric and Logan are true virtuosos of their instruments.
The Dodos are currently on tour with Joe Haener (on percussion and xylophone) as their third band member. They return to New York on July 19 for the Village Voice's Siren Festival, as confirmed by brooklynvegan. They're also playing Pitchfork Music Festival the next day in Chicago. Man, these guys are busy.
No Kids and Silje Nes opened for the Dodos. I'll be putting up a post on No Kids soon.
If you have the setlist for this show, please leave a comment. Thanks! Check out my past post for more songs.
The Season - The Dodos
Park Song - The Dodos
The Ball - The Dodos
Chickens - The Dodos
April 5, 2008
Dirty on Purpose - Mercury Lounge 04.04.08
Yes, that is a nipple on that bottle.
I first heard of Dirty on Purpose back in 2006 when they were on the line-up for The Village Voice's Siren Music Festival. Stars, one of my favorite bands, were co-headlining the festival with the Scissor Sisters, so I trekked my way down to Coney Island. However, I didn't get there early enough to catch Dirty on Purpose.
To be honest, the show didn't live up to my expectations. Mainly, the instrumentals were just way too loud, and the vocals were too soft. I really think everything could have sounded a lot cleaner instead of being so muddled. It's really a shame because some of their recorded stuff is quite good. Also, they didn't perform "Girls and Sunshine," which is by far my favorite Dirty on Purpose song. In fact, they didn't play any of their really old stuff from their debut EP, Sleep Late for a Better Tomorrow. Maybe my lack of excitement for the opening acts led me to become less enthusiastic about the headline. I thought I would be more appropriately rewarded for standing through a couple painful acts. All I have to say about the opening acts is that...having an experimental style does not mean you have to make music that sounds bad.
Dirty on Purpose recently released two EPs, Like Bees and Dead Volcanoes. Dead Volcanoes is available for free download at RCRDLBL.com.
Setlist
These Days (?)
Audience
Light Pollution
Hard to Tell You
Leaving
Always Looking
Marfa Lights
The Thing about Getaways
Ways to Drown
Canned Fumes
Girls and Sunshine
Hard to Tell You - Dirty on Purpose
Audience - Dirty on Purpose
March 18, 2008
Cut Copy
A part of my soul is crying right now. A bit dramatic? Yes, maybe just a little bit, but I just missed seeing Cut Copy at Mercury Lounge (also my favorite venue) tonight. A few weeks ago, I tried looking for tickets to the sold-out show. But, when eBay cruelly informed me that I did not win the tickets, I gave up; I bought tickets home to Chicago. At the very least, I wouldn't have to be in the same city while missing the show. Thankfully, when Cut Copy announced another New York show in May, I immediately bought tickets. I may have to wait another two months, but at least I will finally experience them.
So, who is this band that unknowingly broke my heart? Cut Copy is a 3-member band from Melbourne, Australia, and their music is reminiscent of 80s dance. You may think that other bands have already done what Cut Copy is doing now and have done it better, but who doesn't love retro music?
I was initially introduced to Cut Copy years ago when I downloaded "Saturdays" from Insound.com. Now, with the release date of their sophomore album approaching, I've been hearing "Lights & Music" over and over again from many different places. And, well, the song is kinda awesome. Cut Copy posted In Ghost Colours on their myspace a couple days ago. I haven't listened to the whole thing yet, but I like what I hear so far. "Far Away" is my current favorite.
Cut Copy stopped by Austin, TX for a couple shows, and it seems like In Ghost Colours is going to be well-received. I noticed them on a couple lists in the Guide to Pitchfork's SXSW 2008 Coverage.
Don't miss the next Cut Copy show and be heartbroken like I am right now. Cut Copy plays the Bowery Ballroom on May 14. I will be the girl in the front, dancing like crazy.
Far Away - Cut Copy
Lights & Music - Cut Copy
Hearts on Fire - Cut Copy
That Was Just a Dream - Cut Copy
Saturdays - Cut Copy
January 27, 2008
Jack Peñate
I normally don't like bubbly music, but I've been finding myself humming along with Jack Peñate. While Peñate's rockabilly songs reach my pop music limitation, his upbeat music is rather infectious. After seeing him play Mercury Lounge last week for the US release of his album Matinee, I think it's easy to see that his personality perfectly matches his music. He said it himself: "I'm like a 12-year-old." Well, he definitely has the excitability of a young boy, even at the age of 23. I've never seen anyone jump around so much while playing the guitar! I have to admit, his jumping was a little dangerous. I was in the front and Peñate almost hit me with his guitar, NO JOKE. But for a solo act (backed by a drummer and a bassist), Peñate does his best to entertain with a little bit of craziness.
Signed onto XL Recordings (Thom Yorke, MIA, Vampire Weekend), Peñate is already well-known in the UK indie scene. Wikipedia has informed me that Peñate has been topping the indie charts overseas. Unsurprisingly, the show was filled with music execs, bloggers, and many devoted British fans. Apparently, his shows in the UK are quite pricey, nothing compared to the $10 that I paid to see him. After the show, he spent a lot of time talking to everyone who approached him.
The accent is pretty charming, but will Jack Peñate be the next hot UK import?
Got My Favourite - Jack Peñate
Have I Been A Fool? - Jack Peñate
Learning Lines - Jack Peñate
January 21, 2008
Die Romantik - Mercury Lounge 01.19.08
***EDIT*** As of February 20, 2008, Die Romantik is no more. I truly feel heartbroken.
When I went to the Apes & Androids show at Mercury Lounge this past Saturday, I had no idea I would discover Die Romantik (literally pronounced "Die Romantic"), my new favorite discovery. During a time when experimental bands such as Battles and Animal Collective are reappearing on many "Top Albums of 2007" lists, I think that we under-appreciate music that is simply meant to be beautiful. Before Die Romantik's performance, I don't remember the last time I felt so involuntarily moved by music. Whenever I stumble upon a band like DR, I am reminded that music really can serve as a powerful art form. I was lucky enough to meet the band afterwards and personally tell them how much I enjoyed their set.
A three-piece band, Die Romantik is Eric (Columbia alum, Philosophy major!), Dominic, and Olivier. The three met in France while attending high school. Eric came to New York for school, and the other two eventually followed suit. They currently reside in Brooklyn (I feel like I find myself saying this a lot). Narcissist's Waltz, their debut album, was released last year and can be purchased on iTunes, Insound, and on their website. Songwriting credits are split evenly, and I also believe that each member's vocals are featured equally, which is pretty rare. I'm kicking myself for not picking this album up at the show.
The charm of DR's music is that it is pleasing to hear and still unlike anything else that I'm listening to. While I had read on Oh My Rockness that Die Romantik's sound is similar to that of Beirut, Eric pointed out that they actually don't have any indie rock influences. DR is primarily influenced by classical music and French artists such as Jacques Brel and Serge Gainsbourg (whose daughter is Charlotte Gainsbourg). This actually surprised me because I had no idea who these French artists were and what characterizes their music. Still, I think Die Romantik appeals to anyone who appreciates captivating music.
As the comment to my previous post points out, Die Romantik's sound and performance strikingly contrasts that of Apes & Androids. Although DR may not have A&A's theatrical presence, complete with costumes, they are not any less exciting to experience. Yes, the majority of Die Romantik's music is mid-tempo and the band members aren't jumping around all over the place. The stage was lightly decorated with a simple "dr" light and each member was illuminated with three very cool incandescent lamps (captured in the photos above). But, I feel that the seemingly sparse visuals are not an accident. Die Romantik's stage presence allows for the audience to truly indulge themselves in the music they are experiencing, free of any distractions.
On top of their incredible talents, Die Romantik is unbelievably humble. After one of the songs, my best friend enthusiastically said aloud, "That was really good." Yes, she may have said it a little too loudly for the comment to remain private, and there was some giggling from the crowd. My friend may have looked a little embarrassed until Dominic sweetly answered, "Thank you."
This band is amazing. Do yourself a favor and check out their myspace for more. Perhaps Pitchfork would not have given music a 6.8 if Die Romantik had been reviewed.
Narcissist's Waltz - Die Romantik
La Belle Musique de Chambre - Die Romantik
January 20, 2008
Apes & Androids - Blood Moon
I don't think that you know what girls from the Midwest are all about... - from "Golden Prize"
I'm not going to lie. I'm sorta obsessed with this band. Last night, New York saw the release of Blood Moon, Apes & Androids' long-awaited debut album. A&A are a 5-piece band that is led by David Tobias and Brian Jacobs (CU alum, Neuroscience major!), the duo that was formerly Call Florence Pow. By far, A&A are one of the most unique bands that I've come across in awhile. Glam rock is back, better than ever.
The true beauty of A&A is that while they definitely have glam rock influences, I don't find their music to be predictable. The first A&A song I had heard was "Golden Prize." Immediately, I was reminded of Queen and I assumed the rest of their music would follow suit with the same operatic, dramatic, very complex feel. So, I was completely taken back when I heard "Nights of the Week," one of my favorite tracks off of Blood Moon. While the sound is distinctively A&A, it's still a little hard to believe that this mid-tempo song belongs to the same band. This band is definitely not a one-trick pony.
If you have the opportunity to see A&A, don't hesitate on your decision to go. There is a reason why every review of their shows insists that they are not to be missed. A&A is definitely one of the best live shows that I've ever seen. They pack the punch of Of Montreal's Kevin Barnes X 5, for each member of the band. Before last night's record release show, I looked around on youtube for videos of their performances. By chance, I came across the video below. For a show at the Knitting Factory, A&A collab'd with NYURI, NYU's Korean drum troupe, for their performance of "Hot Kathy." I was watching the video when I realized that I recognized one of the drummers. On this small island of Manhattan, he is a bar manager at PDT. Apparently, a co-bartender (who is also former college suitemate) was the drummer for Call Florence Pow and was a part of a Korean drum troupe. So, the collaboration was not as random as I had believed it to be.
Check out A&A's myspace. There are some great songs on there that I will not be able to post. You can purchase their album on iTunes or here.
I think it's safe to say that last night's performances were epic. The opening acts, Die Romantik and Sigmund Droid were both impressive and not to be missed. I will be blogging about them in the next couple days so come back to check them out.
We Don't Understand You - Apes & Androids
Radio - Apes & Androids
Nights of the Week - Apes & Androids
Riverside - Apes & Androids
Golden Prize - Apes & Androids
December 15, 2007
The Most Serene Republic
The Most Serene Republic (TMSR) is a band from Toronto that is fairly new on the scene. I'd like to say that I've been following them throughout their entire career, but that would be a lie. I had a couple of TMSR songs that I found through Insound.com. But, I didn't start seriously listening to TMSR until I heard Stars' Do You Trust Your Friends? (remix album of Set Yourself on Fire). On the album, TMSR recorded an amazing acoustic version of "Ageless Beauty." I enjoyed the rendition so much that I started searching for more of their music.
From Arts & Crafts, The Most Serene Republic was the first band on the label that was not related to Broken Social Scene. TMSR carries on some of the same indie-pop feel that is embodied by bands on the label like Broken Social Scene and Stars. However, I definitely think that a lot of TMSR's stuff has more of a math rock feel. So, it's not surprising that the album was influenced by the works of Igor Stravinsky. I love the complexities of their music, and the combination of sounds is unlike anything else that I've heard before (excluding music that I didn't enjoy).
Off their new album, Population, "Solipsism Millionaires" is one of my favorites. But, they didn't play it last night when I saw them at Mercury Lounge. Sad, I know. Still, I wasn't at all disappointed by their performance. The band had so much fun playing on stage that I couldn't help but dance and smile right back (which is my normal behavior, anyway). It's refreshing to see a band having fun while performing. I hate watching bands who care more about looking the part than actually enjoying themselves. I keep on thinking about how Adrian (lead male vocals) said that we, New Yorkers, were watching them and judging so that we can go home and blog about them later. I guess i lived up to that stereotype.
Since Mercury Lounge is a small venue, I was able to meet some of the members of TMSR after the show. There are always two things that I can count on from New Yorkers at a small-venue, 21+ show:
1) They are afraid of being too close to the stage. Therefore, I am always in the front.
2) They are afraid of approaching the band. Therefore, I have no problems talking to the band afterwards.
I mostly talked to Tony, the drummer, and Ryan, the pianist. We talked about the math rock influences in their music and griped about Pitchfork's reviews, which are NEVER elitist, pretentious, or biased. They were really gracious and down-to-earth. Also, Andrew, the merch guy, was great and found me some buttons.
Can't wait until they return to NYC. Hopefully, they'll play "Solipsism Millionaires" next time.
Setlist
Humble Peasants
You're Not An Astronaut
Anhoi Polloi
The Men Who Live Upstairs
Phages
(Oh) God
Sherry and Her Butterfly Net
Why So Looking Back
Compliance
Career in Shaping Clay
You're A Loose Cannon McArthur...But You Get The Job Done
Content Was Always My Favorite Colour
Present of Future End
The Men Who Live Upstairs - The Most Serene Republic
Sherry and Her Butterfly Net - The Most Serene Republic
Solipsism Millionaires - The Most Serene Republic
